Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar's '21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen)' came out on June 25, 1988. The duration of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | C Major | 1 | 8B | 83 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Cello Concerto in A Minor, Op. 129: III. Sehr lebhaft | Robert Schumann, Yo-Yo Ma, Sir Colin Davis, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne - Andante | Alexander Borodin, Streichquartett Luzern, Gunars Larsen, Curdin Coray, Roger Pyne, Howard Griffiths | A Major | 1 | 11B | 162 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
La scala di seta (The Silken Ladder): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 1 | 8B | 122 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |