Vincenzo Bellini, Edita Gruberova, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti made "I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta)" available on 1985. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 36 in Bellini: I Capuleti ed I Montecchi by Vincenzo Bellini, Riccardo Muti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta) by Vincenzo Bellini, Edita Gruberova, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 2 | 9B | 128 BPM | ||
Saint- Saëns: Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Il Pirata, Act I: Sinfonia | Vincenzo Bellini, Felice Romani, Fabricio Maria Carminati, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Franco Corelli, Alfredo Mariotti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | F Major | 3 | 7B | 85 BPM | ||
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM |