"Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land..." by Slovak Radio Symphony Orchestra, Peter Breiner had its release date on February 7, 2014. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Winter Olympic Anthems: Sochi 2014, Vol. 1 by Slovak Radio Symphony Orchestra, Peter Breiner. The song's track number on the album is #37 out of 43 tracks. Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... by Slovak Radio Symphony Orchestra, Peter Breiner has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Jamaica: (Jamaica, Land We Love) Eternal Father, Bless Our Land... being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM | ||
Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Die Puppenfee (The Fairy Doll): No. 14 Andante | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F♯ Minor | 1 | 11A | 80 BPM | ||
My Robin Is To The Greenwood Gone | Percy Grainger, Slovak Radio Symphony Orchestra | A Minor | 0 | 8A | 91 BPM | ||
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |