"Bagatelle in A Minor, WoO 59 "Für Elise"" by Ludwig van Beethoven, Murray Perahia was released on 1983. The duration of Bagatelle in A Minor, WoO 59 "Für Elise" is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Bagatelle in A Minor, WoO 59 "Für Elise"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ludwig van Beethoven, Murray Perahia's "Murray Perahia plays Beethoven" album is number 9 out of 57. On top of that, United States appears to be the country where this track was created. Based on our statistics, Bagatelle in A Minor, WoO 59 "Für Elise"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bagatelle in A Minor, WoO 59 "Für Elise" by Ludwig van Beethoven, Murray Perahia to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Nocturnes, Op. 9, No. 2 in E-Flat Major | Olga Scheps | B♭ Major | 0 | 6B | 65 BPM | ||
Liszt - Liebestraume No.3 | Brodin Ray | A♭ Major | 1 | 4B | 63 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Sérénade mélancolique, Op. 26: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM |