Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra made "The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato)" available on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 22 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Based on our statistics, The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato)'s popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation III: Clarinets (Moderato) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Stravinsky: Petrouchka, Tableau I "La foire du Mardi-Gras": Introduction - Fête populaire de la semaine grasse (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | D Major | 9 | 10B | 142 BPM | ||
Aftermath, No. 2 | Miklós Rózsa | C Minor | 1 | 5A | 82 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B Minor | 0 | 10A | 80 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 2. Andante | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Moscow-Cheryomushki, Op. 105: 2. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | E Minor | 0 | 9A | 179 BPM | ||
Saint Saens: Le Carnaval des animaux voliere 생상스 동물의 사육제 중 커다란 새장 | 김준영 | F Major | 2 | 7B | 169 BPM | ||
Ode for Saint Cecilia's Day, HWV 76: The Trumpet's Loud Clangour - Live In Snape / 1967 | George Frideric Handel, Sir Peter Pears, Philip Jones, English Chamber Orchestra, Benjamin Britten | D Major | 0 | 10B | 76 BPM | ||
3 Morceaux en forme de poire, IES 38: I. Manière de commencement | Erik Satie, Robert Casadesus, Gaby Casadesus | A Minor | 4 | 8A | 182 BPM | ||
Vaughan Williams: Symphony No. 6 in E Minor: IV. Epilogue. Moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | E Major | 1 | 12B | 87 BPM |