Mikhail Glinka, Vladimir Stoupel's 'Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Variation V Con brio - Coda' came out on August 18, 2017. The duration of Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Variation V Con brio - Coda is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Variation V Con brio - Coda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vladimir Stoupel's "Mikhail Glinka: Variations for Piano" album is number 21 out of 48. Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Variation V Con brio - Coda is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations in A Major on a Theme from Gaëtano Donizetti’s Opera Anna Bolena: Variation V Con brio - Coda by Mikhail Glinka, Vladimir Stoupel to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 & 5: No. 4 in B Major | Fanny Mendelssohn, Sophie Pacini | D♭ Minor | 0 | 12A | 68 BPM | ||
5 Contredanses | Mikhail Glinka, Inga Fiolia | C Major | 1 | 8B | 140 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Humoresques, Op. 101, B. 187: VII. Poco lento e grazioso | Antonín Dvořák, Tiffany Poon | B♭ Major | 0 | 6B | 66 BPM | ||
4 Impromptus, Op.90, D.899: No.2 in E Flat Major: Allegro | Franz Schubert, Radu Lupu | F♯ Major | 1 | 2B | 65 BPM |