Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra's 'Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai' came out on 1976. Since Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 6 out of 83. On top of that, United States appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: III. Rondo. Allegro assai by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 4: "Gente, gente, all'armi" | Wolfgang Amadeus Mozart, Barbara Vogel, Edith Mathis, Gundula Janowitz, Tatiana Troyanos, Patricia Johnson, Martin Vantin, Erwin Wohlfahrt, Hermann Prey, Dietrich Fischer-Dieskau, Klaus Hirte, Peter Lagger, Orchester der Deutschen Oper Berlin, Karl Böhm | E Major | 2 | 12B | 132 BPM | ||
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: III. Rondeau. Allegro - Cadenza: Susan Palma and Bernard Rose | Wolfgang Amadeus Mozart, Susan Palma-Nidel, Bernard Rose, Nancy Allen, Orpheus Chamber Orchestra | C Major | 1 | 8B | 99 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | D Major | 1 | 10B | 99 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Concerto for 3 Pianos and Orchestra (No. 7) in F, K.242 "Lodron" - arr. Mozart for 2 pianos: 2. Adagio | Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 56 BPM | ||
A la manière de. . . Borodine | Maurice Ravel, Jean-Yves Thibaudet | F♯ Major | 0 | 2B | 111 BPM | ||
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |