Henryk Wieniawski, James Ehnes, Eduard Laurel's 'Scherzo-tarantelle in G Minor, Op. 16' came out on January 1, 2000. With this song being about 5 minutes long, at 4:41, "Scherzo-tarantelle in G Minor, Op. 16" by Henryk Wieniawski, James Ehnes, Eduard Laurel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #4 out of 12 tracks. Scherzo-tarantelle in G Minor, Op. 16 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Scherzo-tarantelle in G Minor, Op. 16 by Henryk Wieniawski, James Ehnes, Eduard Laurel has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Scherzo-tarantelle in G Minor, Op. 16 being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro | Wolfgang Amadeus Mozart, Emerson String Quartet | C Major | 1 | 8B | 74 BPM | ||
Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | G Minor | 1 | 6A | 81 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Etudes - Caprices for 2 Violins, Op. 18: No. 4 in A Minor | Henryk Wieniawski, David Oistrakh, Igor Oistrakh | E♭ Major | 1 | 5B | 138 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
12 Études, Op. 10: No. 2 in A Minor "Chromatique" | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 178 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: II. Fugato | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 101 BPM |