"Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus)" by Granville Bantock, Vernon Handley, BBC Symphony Orchestra, Roderick Williams, BBC Symphony Chorus was released on September 1, 2007. The duration of Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 63 in Bantock: Omar Khayyam by Granville Bantock, Vernon Handley, BBC Symphony Orchestra, Catherine Wyn-Rogers, Toby Spence, Roderick Williams, Olivia Robinson, Siân Menna, Edward Price. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Omar Khayyam, Part II: and 'twas - the Grape! - The Grape that can with logic absolute (Philosopher, Chorus) by Granville Bantock, Vernon Handley, BBC Symphony Orchestra, Roderick Williams, BBC Symphony Chorus is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (Arr. for Viola & Piano) | Robert Schumann, Timothy Ridout, Frank Dupree | D♭ Major | 0 | 3B | 99 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM | ||
Piano Music for Big and Small, Op. 53: No. 6 Poco Lamentoso | The Gerst Ensemble | D♭ Minor | 2 | 12A | 175 BPM | ||
Omar Khayyam, Part II: The mighty Mahmúd, Allah-breathing Lord (Chorus) | Granville Bantock, Vernon Handley, BBC Symphony Orchestra, BBC Symphony Chorus | D♭ Major | 3 | 3B | 114 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Aubade, FP 51a: VIII. Andante. Variation de Diane | Francis Poulenc, Ronald Corp, New London Orchestra, Julian Evans | E Major | 0 | 12B | 178 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
The Seasons, Op. 67, Pt. 4 "L'automne": No. 15, Petit adage | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |