"Splitting Wood" by Claire Guerreso was released on December 15, 2014. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Splitting Wood only contains only one song in the album, we like to consider this song as a single. The popularity of Splitting Wood is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Splitting Wood by Claire Guerreso having a テンポ of 167 with a half-time of 84 テンポ and a double-time of 334 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wrecking Ball | Scars On 45 | A Major | 2 | 11B | 118 BPM | ||
These Things Never Change | Josh Auer | F♯ Minor | 8 | 11A | 80 BPM | ||
Say It Anyway | Rosi Golan | B♭ Major | 3 | 6B | 124 BPM | ||
When I've Been Gone | William Wild | G Major | 4 | 9B | 123 BPM | ||
Soften and Shake | Olivia Broadfield | B Major | 2 | 1B | 73 BPM | ||
You Loved Me | Joy Williams | G Major | 4 | 9B | 86 BPM | ||
Make You Smile | Elle King | C Major | 6 | 8B | 98 BPM | ||
And Still, the Darkness Comes | Aron Wright | D Major | 5 | 10B | 111 BPM | ||
Ain’t Much For Lyin’ | Fairground Saints | B Major | 5 | 1B | 180 BPM | ||
Bring It Back to Me | Martin Luke Brown | A♭ Major | 2 | 4B | 82 BPM |