"My Genius, My Angel, My Friend" by Pyotr Ilyich Tchaikovsky, Peter Cavallo, Vilmos Olah, Budapest Symphony Orchestra was released on August 25, 2023. The duration of My Genius, My Angel, My Friend is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. My Genius, My Angel, My Friend's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 2 in the song's album "Two Romances for Solo Violin and String Orchestra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. My Genius, My Angel, My Friend is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Genius, My Angel, My Friend by Pyotr Ilyich Tchaikovsky, Peter Cavallo, Vilmos Olah, Budapest Symphony Orchestra having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Godfather Waltz | Nino Rota, Daniel Hope, Christoph Israel | G Minor | 3 | 6A | 101 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
'Violetta', Fantasia for Violin and Piano from 'La Traviata' | Mario Castelnuovo-Tedesco, Francesca Dego, Francesca Leonardi | F Major | 2 | 7B | 117 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Miloš Karadaglić, Jonathan Cohen, Arcangelo | D Minor | 0 | 7A | 144 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | ||
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune | Claude Debussy, Fazıl Say | D♭ Major | 0 | 3B | 65 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |