"Aida, Act 3: "O patria mia"" by Birgit Nilsson was released on July 5, 2011. Since Aida, Act 3: "O patria mia" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Aida, Act 3: "O patria mia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aida, Act 3: "O patria mia" by Birgit Nilsson is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" | Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | F Major | 1 | 7B | 125 BPM | ||
La Bohème / Act 1: "Pensier profondo" | Giacomo Puccini, Nicolai Ghiaurov, Rolando Panerai, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 87 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "Straniero, ascolta!" (Turandot, Calaf, I sapienti) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 76 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Westwärts schweift der Blick" (Isolde, Brangäne, A young sailor) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Marjana Lipovsek, Uwe Heilmann, Waltraud Meier | D Major | 4 | 10B | 103 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | ||
Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
La traviata / Act III: "Signora" - "Che t'accadde?" - "Parigi, o cara, noi lasceremo" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 1 | 3B | 102 BPM |