"Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Praeludium - Live at Concertgebouw, Amsterdam / 1978" by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Leonard Bernstein, Bernard Bartelink was released on October 9, 2021. The duration of Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Praeludium - Live at Concertgebouw, Amsterdam / 1978 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Praeludium - Live at Concertgebouw, Amsterdam / 1978's duration is considered a little bit shorter than the average duration of a typical track. The song is number 262 out of 289 in Cosy Beethoven by Ludwig van Beethoven, Various Artists. Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Praeludium - Live at Concertgebouw, Amsterdam / 1978 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": 4. Sanctus: Praeludium - Live at Concertgebouw, Amsterdam / 1978 by Ludwig van Beethoven, Royal Concertgebouw Orchestra, Leonard Bernstein, Bernard Bartelink is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM |