Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's 'St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) …' came out on March 1, 2011. St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 7 out of 40 in Bach: St John Passion by Johann Sebastian Bach, John Eliot Gardiner. In terms of popularity, St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St. John Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) – Recitative: Und gaben ihm Backenstreiche (Evangelist, Pilatus) - Kreuzige, Kreuzige (Chorus) … by Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Air | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: O hilf, Christe, Gottes Sohn (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Minor | 2 | 8A | 61 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Salve Regina in C minor (1736): 2. Ad te clamamus | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 85 BPM | ||
Stabat Mater: Virgo virginum praeclara | Agostino Steffani, Daniel Behle, Julian Prégardian, Salvo Vitale, I Barocchisti, Diego Fasolis | C Minor | 2 | 5A | 96 BPM | ||
I. Gott Ist Mein König BWV 71, 5. Aria (Alto): Durch Mächtige Kraft | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Ofer Frenke, Will Wroth, Knut Schoch, Katherin Steddon, Maarten Van Weverswijk, Ruth Holton, Bas Ramselaar, Frank Aarnink, Sytse Buwalda, Johann Sebastian Bach, Anneke Boeke, Pieter Jan Leusink | D♭ Major | 2 | 3B | 86 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe": Laudamus Te | Wolfgang Amadeus Mozart, Sarah Connolly, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 125 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: VI. Dominus a dextris tuis | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, James Gilchrist, Jonathan Lemalu, Stephen Cleobury | B Major | 5 | 1B | 98 BPM |