Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay made "Requiem, K. 626. Dies Irae" available on January 1, 1984. With Requiem, K. 626. Dies Irae being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 30 in Amadeus (The Complete Soundtrack Recording) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields. Requiem, K. 626. Dies Irae is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Requiem, K. 626. Dies Irae by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St. Martin in the Fields Chorus, Laszlo Heltay is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto No. 2 in D Major, K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 0 | 9B | 67 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
"O Fortuna" from Carmina Burana | The London Symphony Orchestra - The London Symphony Chorus | A Minor | 3 | 8A | 143 BPM | ||
Messa da Requiem: Dies irae | Giuseppe Verdi, Violeta Urmana, Olga Borodina, Ramón Vargas, Ferruccio Furlanetto, Cologne West German Radio Chorus, North German Radio Chorus, Turin Radio Chorus, West German Radio Symphony Orchestra, Semyon Bychkov | D Minor | 8 | 7A | 152 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Zu Hilfe! Zu Hilfe! (Tamino, Damen) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 76 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Requiem, Op. 89, B. 165 / Part 1: 3. Dies Irae | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jakub Hrůša | B Minor | 1 | 10A | 137 BPM | ||
Requiem in D Minor, K. 626: Introit: Requiem aeternam (Chorus) | Wolfgang Amadeus Mozart, Sena Jurinac, Lucretia West, Hans Loeffler, Frederick Guthrie, Vienna Academy Choir, Vienna State Opera Orchestra, Hermann Scherchen | G Minor | 1 | 6A | 104 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM |