"Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe" by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs was released on October 7, 2013. With Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, René Jacobs, RIAS Kammerchor, Akademie für Alte Musik Berlin's "J.S. Bach: St Matthew Passion, BWV 244 (Matthäus-Passion)" album is number 18 out of 70. Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion: Erster Teil, 18. Evangelista, Jesus Da kam Jesus mit ihnen zu einem Hofe by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe in C-Moll, K. 427 "Große Messe" (Reconstructed by C. Kemme): IIIa. Credo in unum Deum [Live] | Wolfgang Amadeus Mozart, Bavarian Radio Chorus, Akademie für Alte Musik Berlin, Howard Arman | C Major | 3 | 8B | 111 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1: No. 16, Petrus aber antwortete und sprach | Johann Sebastian Bach, Benjamin Bruns, Christian Immler, Yusuke Watanabe, Bach Collegium Japan, Masaaki Suzuki | A♭ Minor | 0 | 1A | 86 BPM | ||
I. Gott Ist Mein König BWV 71, 1. Coro: Gott Ist Mein König | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Anneke Boeke, Will Wroth, Hendrik Jan Houtsma, Sytse Buwalda, Peter Frankenberg, Bas Ramselaar, Knut Schoch, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Frank Aarnink, Susan Williams, Pieter Jan Leusink | D♭ Major | 1 | 3B | 92 BPM | ||
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Tage in dem Leide" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XIV. [Rigaudon 1] | George Frideric Handel, Akademie für Alte Musik Berlin | F♯ Major | 1 | 2B | 136 BPM | ||
The Lord is a sun and a shield: No. 1, Chorus "The Lord is a sun and a shield" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | E♭ Minor | 3 | 2A | 123 BPM | ||
Heilig ist Gott, Wq. 217: Heilig ist Gott, Wq. 217: 1. Ariette. Herr, wert, daß Scharen der Engel (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 1 | 2B | 79 BPM |