"2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio" by Johan Svendsen, Bournemouth Sinfonietta, Richard Studt was released on February 8, 1995. The duration of 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio is about 3 minutes long, at 3:10. Based on our data, "2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Scandinavian String Music". In this album, this song's track order is #13. In terms of popularity, 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Swedish Folk-Melodies, Op. 27: No. 1 Allt under himmelens faste: Adagio by Johan Svendsen, Bournemouth Sinfonietta, Richard Studt having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): V. Rigaudon | Edvard Grieg, Bournemouth Sinfonietta, Richard Studt | G Major | 1 | 9B | 124 BPM | ||
II. Air | Gustav Holst, Norman Del Mar, Bournemouth Sinfonietta | B Minor | 0 | 10A | 70 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard | C Minor | 1 | 5A | 81 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Pulcinella: Serenata: Larghetto (Pergolesi: Il Flaminio. Act I. Polidoro) | Igor Stravinsky, Ian Bostridge, Bournemouth Sinfonietta, Stefan Sanderling | B♭ Major | 2 | 6B | 89 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
Spoon River | Percy Grainger, Kenneth Montgomery, Bournemouth Sinfonietta, Moray Welsh, Philip Martin | G Major | 2 | 9B | 104 BPM |