"Ave Maria" by Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon was released on January 1, 2014. Ave Maria is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The track order of this song in Elina Garanca, Adolphe Adam, Charles Gounod, Georges Bizet, Giacomo Puccini, Giulio Caccini, Gregorio Allegri, Pēteris Vasks, Pietro Mascagni, Ugis Praulins, Vladimir Vavilov, William Gomez, Wolfgang Amadeus Mozart's "Meditation" album is number 14 out of 14. On top of that, Germany appears to be the country where this track was created. Ave Maria is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
And So It Goes - Arr. Bob Chilcott | The King's Singers | C Major | 0 | 8B | 82 BPM | ||
Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Lascia ch'io pianga (Let Me Weep) from "Rinaldo" | George Frideric Handel, Charlotte Church, Sian Edwards | F Major | 1 | 7B | 81 BPM | ||
Ellens Gesang III (Ave Maria!), Op. 56, No. 6, D. 839, "Hymne an die Jungfrau" | Franz Schubert, David Cordier, Vienna Boys' Choir, Cologne Radio Orchestra, Helmut Froschauer | B♭ Major | 1 | 6B | 127 BPM | ||
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus | César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp | A Major | 0 | 11B | 89 BPM | ||
When at night I go to sleep (Evening Hymn) from Hansel and Gretel - L'istesso tempo - vocal | Adelheid Wette, Engelbert Humperdinck, Charlotte Church, Sian Edwards | D Major | 0 | 10B | 84 BPM | ||
Le nozze di Figaro, K. 492, Act I: Non so più cosa son | Wolfgang Amadeus Mozart, Alexandrs Vilumanis, Latvian National Symphony Orchestra, Elina Garanca | E♭ Major | 1 | 5B | 172 BPM | ||
Es ist ein Ros entsprungen | Michael Praetorius, Voces8 | E Major | 0 | 12B | 129 BPM | ||
Bring Him Home | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop | F Major | 0 | 7B | 69 BPM |