"Consort Music: Fantasy à 6" by John Jenkins, Consort Of Musicke, Trevor Jones was released on June 14, 1983. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Jenkins, Consort Of Musicke, Trevor Jones's "Jenkins: Consort Music" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Consort Music: Fantasy à 6 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Consort Music: Fantasy à 6 by John Jenkins, Consort Of Musicke, Trevor Jones to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allemanda ad imitatione d'un tartaglia | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 3 | 1A | 99 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Cello Sonata in E Minor, RV 40: I. Largo | Antonio Vivaldi, Robert King, David Watkin | B Minor | 0 | 10A | 130 BPM | ||
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VI. Minuet | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 85 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Jenkins, John: Suite No. 7 for 3 Viols and Continuo in D Minor: III. Corant | John Jenkins, Fretwork | D Minor | 1 | 7A | 56 BPM |