Thomas Tallis, Matthew Parker, Phillip W. Serna's 'Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight"' came out on May 11, 2021. The duration of Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight"'s duration is considered a little bit shorter than the average duration of a typical track. Since Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight" only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. In terms of popularity, Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tallis: Archbishop Parker's Psalter - Third Tune "Why Fum'th in Sight" by Thomas Tallis, Matthew Parker, Phillip W. Serna having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Communion Service in C Major: Sanctus | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Missa Pro Defunctis - Benedictus | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
in manus tuas | Thomas Tallis, Chapelle du Roi, Alistair Dixon | B Minor | 1 | 10A | 79 BPM | ||
Gloria: I'll Make Music | Karl Jenkins, Polyphony, Stephen Layton | A♭ Major | 1 | 4B | 79 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM |