"La caixinha de música quebrada, W256" by Heitor Villa-Lobos, Wilhem Latchoumia was released on October 20, 2023. The duration of La caixinha de música quebrada, W256 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. La caixinha de música quebrada, W256's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Villa Lobos: Do Brasil by Heitor Villa-Lobos, Wilhem Latchoumia. The song's track number on the album is #14 out of 17 tracks. Based on our data, France was the country where this track was produced or recorded. La caixinha de música quebrada, W256 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La caixinha de música quebrada, W256 by Heitor Villa-Lobos, Wilhem Latchoumia has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With La caixinha de música quebrada, W256 being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Flute Sonata, FP 164: I. Allegro malinconico | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | C Major | 0 | 8B | 79 BPM | ||
Piazzolla: Histoire du tango: I. Bordel 1900 | Astor Piazzolla, Emmanuel Pahud, Christian Rivet | A Major | 1 | 11B | 113 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Bachianas brasileiras No. 5: I. Aria (Cantilena): Adagio | Plínio Fernandes, Sheku Kanneh-Mason | E Minor | 2 | 9A | 105 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Histoire du tango pour flûte et guitare: Bordel 1900 | Cécile Daroux, Pablo Marquez | A Major | 1 | 11B | 73 BPM | ||
Milonga (Cardoso) | Jorge Cardoso, Castellani-Andriaccio Duo | D Minor | 3 | 7A | 124 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |