Robert Schumann, Graham Johnson, Richard Jackson, The Songmakers' Almanac's 'Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II "Wenn durch die Piazza"' came out on 1982. With Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II "Wenn durch die Piazza" being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Voices of the Night: Songs, Duets & Ensembles by Brahms and Schumann by The Songmakers' Almanac. The song's track number on the album is #15 out of 21 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II "Wenn durch die Piazza"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II "Wenn durch die Piazza" by Robert Schumann, Graham Johnson, Richard Jackson, The Songmakers' Almanac has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Myrthen, Op. 25: No. 18, Zwei Venetianische Lieder II "Wenn durch die Piazza" being at 129 テンポ, the half-time would be 64 テンポ with a double-time of 258 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phantasiestücke, Op. 88: No. 3, Duett (Arr. for Horn by Martin Owen) | Robert Schumann, Martin Owen, Francesca Dego, Alessandro Taverna | D Major | 0 | 10B | 95 BPM | ||
Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Rudolf Buchbinder | E Major | 0 | 12B | 89 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | E♭ Major | 0 | 5B | 89 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |