Missa in tempore belli "Paukenmesse": Kyrie
- テンポ
- 181
- キー
- D Minor
- キャメロットミュージックキー
- 7A
Missa in tempore belli "Paukenmesse": Kyrie - Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein 情報
- 音響性
- 99%
- ダンサビリティ
- 14%
- エネルギー
- 7%
- 手段性
- 99%
- 活気
- 10%
- ラウドネス
- 61%
- 話し言葉
- 5%
- 価数
- 4%
- 人気
- 3%
- ラウドネス
- -23.341 dB
まとめ
"Missa in tempore belli "Paukenmesse": Kyrie" by Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein was released on June 3, 1986. Missa in tempore belli "Paukenmesse": Kyrie is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Elmar Schloter, Werner Thomas, Bavarian Radio Chorus, Wolfgang Seeliger, Bavarian Radio Symphony Orchestra, Leonard Bernstein's "Haydn: Mass in C "Missa in Tempore Belli"" album is number 1 out of 11. On top of that, Netherlands appears to be the country where this track was created. The popularity of Missa in tempore belli "Paukenmesse": Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa in tempore belli "Paukenmesse": Kyrie テンポ
We consider the tempo marking of Missa in tempore belli "Paukenmesse": Kyrie by Joseph Haydn, Judith Blegen, Brigitte Fassbaender, Claes-Håkon Ahnsjö, Hans Sotin, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Leonard Bernstein to be Presto (very, very fast) because the track has a tempo of 181 テンポ, a half-time of 90テンポ, and a double-time of 362 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
Missa in tempore belli "Paukenmesse": Kyrie キー
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM | |
 | Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM | |
 | Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora | Antonio Vivaldi, Peter Whelan, La Serenissima | F Major | 2 | 7B | 118 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | |
 | Symphony No. 94 in G Major, Hob. I:94 "Surprise": I. Adagio cantabile - Vivace assai | Franz Joseph Haydn, European Festival Orchestra, Johann Walter | E♭ Major | 2 | 5B | 138 BPM | |
 | Hungarian Dance No.3 In F Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | |
 | Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | |
 | Symphonie a grand ochestre in D Major, Op. 13, No. 3, "La Chasse": I. Grave maestoso - Allegro | Francois-Joseph Gossec, Concerto Köln | A Major | 1 | 11B | 117 BPM | |
 | Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | |
 | Octet In E Flat, Op.20, MWV R20: 3. Scherzo (Allegro leggierissimo) | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | G Major | 1 | 9B | 147 BPM |
- ISRC
- NLA508401001
- レコードレーベル
- L-M Records/RCA Records