Alfonso X El Sabio, Eduardo Paniagua made "Danza de la Conquista de Almería. CSM 353" available on July 9, 2012. The duration of Danza de la Conquista de Almería. CSM 353 is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Danza de la Conquista de Almería. CSM 353's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Navas de Tolosa 1212. Música del Siglo Xll y Xlll para la Batalla de Alfonso Vlll de Castilla". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. Based on our statistics, Danza de la Conquista de Almería. CSM 353's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Danza de la Conquista de Almería. CSM 353 by Alfonso X El Sabio, Eduardo Paniagua having a テンポ of 148 with a half-time of 74 テンポ and a double-time of 296 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute music - Italy: Ricercar XIII | Vincenzo Capirola, Konrad Ragossnig | B♭ Major | 0 | 6B | 86 BPM | ||
Terpsichore*: Spagnoletta | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 2 | 6B | 84 BPM | ||
CSM 33 Peregrinos a Jerusalén en Acre | Eduardo Paniagua, Alfonso X El Sabio | C Major | 2 | 8B | 122 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Passe and Medio / Den iersten gaillarde | Tylman Susato, Capilla Flamenca | G Minor | 1 | 6A | 97 BPM | ||
CSM 83 De Lucena a Sopetran, Cautivo en Tierra de Moros | Alfonso X El Sabio, Eduardo Paniagua | G Major | 3 | 9B | 82 BPM | ||
CSM 29 Getsemaní, La Virgen de la Leche (Instrumental) | Eduardo Paniagua, Alfonso X El Sabio | C Major | 4 | 8B | 116 BPM | ||
Passemeze | Adrian Le Roy, Ronn McFarlane | B♭ Major | 1 | 6B | 117 BPM | ||
Quan lo rius de la fontana | Jaufre Rudel, Ensemble Gilles Binchois | B Minor | 1 | 10A | 166 BPM | ||
Puisk'il m'estuet | Thibaut de Champagne, La Camerata de Paris | E Minor | 0 | 9A | 138 BPM |