"Also Sprach Zarathustra, Op. 30: Einleitung - Sehr breit" by Richard Strauss, Philharmonia Orchestra, Djong Victorin Yu was released on September 15, 2000. With Also Sprach Zarathustra, Op. 30: Einleitung - Sehr breit being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Strauss: Also Sprach Zarathustra, Op. 30, Don Quixote, Op. 35". In this album, this song's track order is #1. Also Sprach Zarathustra, Op. 30: Einleitung - Sehr breit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also Sprach Zarathustra, Op. 30: Einleitung - Sehr breit by Richard Strauss, Philharmonia Orchestra, Djong Victorin Yu having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, John Williams, Louis Frémaux, Philharmonia Orchestra | B Minor | 1 | 10A | 111 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Concerto in D Minor: II. Adagio | Benedetto Marcello, John Anderson, Simon Wright, Philharmonia Orchestra | D Minor | 1 | 7A | 64 BPM | ||
Cavalleria Rusticana: Intermezzo (Godfather III) | Pietro Mascagni, Razumovsky Symphony Orchestra, Long Yu | F Major | 1 | 7B | 78 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante (Excerpt) | Felix Mendelssohn, Yehudi Menuhin, Efrem Kurtz, Philharmonia Orchestra | C Major | 1 | 8B | 36 BPM | ||
The Magnificent Seven - Suite | Elmer Bernstein | B♭ Major | 3 | 6B | 105 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Hungarian Rhapsody No. 2, S. 244/2 | Franz Liszt, Shura Cherkassky | D♭ Major | 1 | 3B | 74 BPM | ||
Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM |