Domenico Cimarosa, Simone Perugini, Fête Galante Baroque Orchestra, Roberto Vicarelli, Addie Lansbury, Elisabetta Manfredini, Irving Hussain, Andrea Martinelli, July Wason, Nicholas Porrington made "Il Mercato di Malmantile, Act I Scene 13: Mia signora" available on April 20, 2018. Il Mercato di Malmantile, Act I Scene 13: Mia signora appears to be safe for all ages as it is not explicit. The song is number 14 out of 28 in Cimarosa: Il Mercato di Malmantile by Domenico Cimarosa, Simone Perugini, Fête Galante Baroque Orchestra. In terms of popularity, Il Mercato di Malmantile, Act I Scene 13: Mia signora is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Il Mercato di Malmantile, Act I Scene 13: Mia signora by Domenico Cimarosa, Simone Perugini, Fête Galante Baroque Orchestra, Roberto Vicarelli, Addie Lansbury, Elisabetta Manfredini, Irving Hussain, Andrea Martinelli, July Wason, Nicholas Porrington is Moderato (at a moderate speed), since this song has a tempo of 112 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Major | Mikhail Glinka, Inga Fiolia | A Minor | 0 | 8A | 69 BPM | ||
L'Olimpiade, Act I Scene 9: Recitativo. "Stranier? Chi mi sorprende?" - Accompagnato. "E mi lasci così ?" | Domenico Cimarosa, Rocio Pérez, Maite Beaumont, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM |