On October 4, 2011, the song "Gli strali d'amore (after Italian arias by A. Campra): Aria: Amanti godete (Lelio)" was released by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza. The duration of Gli strali d'amore (after Italian arias by A. Campra): Aria: Amanti godete (Lelio) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Gli strali d'amore (after Italian arias by A. Campra): Aria: Amanti godete (Lelio)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Aria: Amanti godete (Lelio) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Aria: Amanti godete (Lelio) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 2 | 9B | 114 BPM | ||
Violin Sonata in E Minor, Op.5 No. 8: I. Preludio (Largo) | Arcangelo Corelli, Enrico Onofri | D Minor | 0 | 7A | 78 BPM | ||
Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): I. Allegro molto ma maestoso | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | C Minor | 1 | 5A | 80 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
21 Études for Solo Cello: No. 7 In G Minor - Allegro | Jean-Louis Duport, Antonio Meneses | G Minor | 1 | 6A | 67 BPM | ||
Grand Concerto for Bassoon and Orchestra in F: 2. Romanza (Andantino e cantabile) | Johann Nepomuk Hummel, Klaus Thunemann, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 84 BPM | ||
Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio | Barbara Strozzi, Emanuela Galli, La Risonanza, Fabio Bonizzoni | F Major | 1 | 7B | 108 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |