Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato)

Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris
Delibes: Coppélia
1:57 2009年11月9日
テンポ
88
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) - Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris 情報

音響性
98%
ダンサビリティ
42%
エネルギー
18%
手段性
72%
活気
26%
ラウドネス
61%
話し言葉
5%
価数
42%
人気
ラウドネス
-23.354 dB

まとめ

Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris made "Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato)" available on November 9, 2009. With Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) テンポ

The tempo marking of Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) by Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Delibes: Coppélia ou la fille aux yeux d'émail (Ballet), Act 1: No. 4, Scène (Moderato) キー

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : III. LargoArcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaD Major110B78 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile by Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinRhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabileSergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinD♭ Major13B88 BPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
3 Romances, Op. 11: 1. Andante by Clara Schumann, Isata Kanneh-Mason3 Romances, Op. 11: 1. AndanteClara Schumann, Isata Kanneh-MasonE♭ Minor02A127 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommesAlexander Borodin, Anima Eterna, Jos Van ImmerseelA Major011B87 BPM
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus by Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerDie Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final ChorusSlovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. BretznerD Minor47A72 BPM
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro by Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia VarsoviaMozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegroWolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia VarsoviaG Minor26A114 BPM
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee by Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallTale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-BeeNikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony BramallD Minor07A77 BPM
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile by Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklSymphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabileClaude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklD Major110B72 BPM
Japanese Suite, Op. 33: III. Dance of the Marionette by Gustav Holst, Ulster Orchestra, Joann FallettaJapanese Suite, Op. 33: III. Dance of the MarionetteGustav Holst, Ulster Orchestra, Joann FallettaC Minor05A177 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records