Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hermann Christian Polster, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger's 'Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist]' came out on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #50. Furthermore, we believe that the track originated from Netherlands. Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244, Pt. 2: No. 50, Recitative. "Sie schrieen aber noch mehr" (Evangelist) - "Laß ihn kreuzigen!" [Chorus] - "Da aber Pilatus sahe" [Evangelist, Pilatus] - "Sein Blut komme" [Chorus] - "Da gab er ihnen Barrabam los" [Evangelist] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hermann Christian Polster, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Concerto in C Minor for Violin & Oboe, BWV 1060R: 2. Adagio | Johann Sebastian Bach, Janine Jansen, Ramon Ortega Quero, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Minor | 1 | 5A | 130 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM |