Felix Mendelssohn, Christoph von Dohnányi, Cleveland Orchestra, The Cleveland Orchestra & Chorus, Tom Krause's 'Die erste Walpurgisnacht, Op. 60, MWV D 3: IV. Allegro leggiero' had a release date set for October 1, 1988. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Christoph von Dohnányi, The Cleveland Orchestra, The Cleveland Orchestra & Chorus's "Mendelssohn: Symphony No. 3 in A Minor, Op. 56, MWV N 18 "Scottish" & Die erste Walpurgisnacht, Op. 60, MWV D 3" album is number 9 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Die erste Walpurgisnacht, Op. 60, MWV D 3: IV. Allegro leggiero is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die erste Walpurgisnacht, Op. 60, MWV D 3: IV. Allegro leggiero by Felix Mendelssohn, Christoph von Dohnányi, Cleveland Orchestra, The Cleveland Orchestra & Chorus, Tom Krause to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parsifal, Act III: Wie dünkt mich doch die Aue heut so schön! - Live | Richard Wagner, Andreas Schager, Georg Zeppenfeld, Bayreuth Festival Orchestra, Pablo Heras-Casado | D Major | 1 | 10B | 90 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Introducción y escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | A Minor | 2 | 8A | 70 BPM | ||
Songs of Separation: IV. We Are All the Same | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | E♭ Major | 1 | 5B | 110 BPM | ||
Forkladd gud, Op. 24: Tror du, att faren skulle | Lars-Erik Larsson, Erik Saeden, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | A Major | 3 | 11B | 85 BPM | ||
In Sweet Consent Unite | Harmonious Chorale Ghana | A♭ Major | 2 | 4B | 127 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Cendrillon: Prenez un maintien gracieux | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM |