"Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai" by London Symphony Orchestra, Josef Krips was released on November 27, 2011. Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai appears to be safe for all ages as it is not explicit. There is only one song in 1-2-3 - Greatest Symphonies, so we believe that "Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai" is a single. Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.3 in E flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai by London Symphony Orchestra, Josef Krips is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zadok the Priest (Coronation Anthem No. 1, HWV 258) | George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey | D♭ Major | 2 | 3B | 96 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 83 BPM | ||
A Midsummer Night's Dream / Act 1: "Fair Love, You Faint With Wand'ring In the Wood" | Benjamin Britten, Sir Peter Pears, Josephine Veasey, London Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Images from the Great Siege (Version for Orchestra): IV. Solitary Rider | Alexey Shor, London Symphony Orchestra, Sergey Smbatyan | C Major | 1 | 8B | 157 BPM | ||
Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 118 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Little Women | Alexandre Desplat | C Major | 3 | 8B | 156 BPM | ||
Intermezzo (Cavalleria Rusticana) | Domenico Monleone, Pietro Mascagni, HAUSER, Robert Ziegler, London Symphony Orchestra | F Major | 4 | 7B | 87 BPM |