Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau's 'Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage' came out on January 1, 2016. With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Based on our statistics, Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 12, Klage by Johann Friedrich Reichardt, Maria Graf, Dietrich Fischer-Dieskau having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' | Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz | C Major | 1 | 8B | 105 BPM | ||
Miltons Morgensang: Mond! Mond! (Tenor) | Johann Friedrich Reichardt, Carola Nossek, Annette Markert, Ekkehard Wagner, Andreas Scheibner, Berlin Singakademie, Staatskapelle Berlin, Dietrich Knothe | D Major | 2 | 10B | 104 BPM | ||
Der Herr ist mein Hirt | Bernhard Klein, Taipei Male Choir, Frieder Bernius | A Major | 1 | 11B | 97 BPM | ||
Jesus bleibet meine Freude | Gernot Kahofer, Elke Eckerstorfer | G Major | 1 | 9B | 92 BPM | ||
6 Hungarian Dances: No. 3. Verbunk | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | F Major | 0 | 7B | 123 BPM | ||
Mass of the Children: Gloria | John Rutter, Joanne Lunn, Roderick Williams, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | F♯ Minor | 1 | 11A | 132 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | ||
Cantata, Op. 42, MWV A15: Wie der Hirsch schreit | Felix Mendelssohn, Bavarian Radio Chorus, Munich Radio Orchestra, Howard Arman | G Major | 1 | 9B | 88 BPM | ||
Te Deum - hobo kwartet | Martin Malto, Marc-Antoine Charpentier, Klassieke Muziek | D Major | 2 | 10B | 75 BPM |