Heitor Villa-Lobos, Nelson Freire's 'Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato' came out on 1974. With Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Villa-Lobos : Prole do Bebê, Rudepoema, As três Marias by Heitor Villa-Lobos, Nelson Freire. The song's track number on the album is #2 out of 11 tracks. Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato by Heitor Villa-Lobos, Nelson Freire has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Villa-Lobos: A prole do bebê No. 1, W. 140: II. Moreninha (A boneca de massa). Animato molto marcato being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Canciones Castellanas | Regino Sáinz de la Maza, Franz Halász | A Minor | 2 | 8A | 90 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Major | 2 | 11B | 106 BPM | ||
7 Paulistanas: Paulistana No. 1 | Claudio Santoro, Arnaldo Cohen | D♭ Major | 0 | 3B | 78 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM |