Domenico Cimarosa, Julia Hamari, Julia Varady, English Chamber Orchestra, Daniel Barenboim's 'Il matrimonio segreto / Act 1: Chetatevi, e scusatela' came out on January 1, 1977. With Il matrimonio segreto / Act 1: Chetatevi, e scusatela being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 45 in Cimarosa: Il matrimonio segreto by Domenico Cimarosa, English Chamber Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Il matrimonio segreto / Act 1: Chetatevi, e scusatela is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Il matrimonio segreto / Act 1: Chetatevi, e scusatela by Domenico Cimarosa, Julia Hamari, Julia Varady, English Chamber Orchestra, Daniel Barenboim is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Giannina e Bernardone, Act I Scene 12: Poveretta! Sventurata | Domenico Cimarosa, Simone Perugini, Tuscan Opera Academy Orchestra, Laura Valdarnini, Andrew Wright | F Major | 2 | 7B | 118 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
Il matrimonio segreto / Act 1: "Certo sarete stanco" - "Permettetemi dunque" | Domenico Cimarosa, Dietrich Fischer-Dieskau, Alberto Rinaldi, Ryland Davies, Arleen Auger, Julia Varady, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 2 | 6B | 158 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM |