"Madrigal No. 2 for Oboe, Clarinet and Basson" by Bohuslav Martinů, Holzblaser-Trio des Saarlandischen Rundfunks, Jurgen Schmitt, Dietrich Fritsche, Ulrich Rinderle was released on January 1, 2009. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bohuslav Martinů, Various Artists's "Martinu: Orchestral Works - Madrigal" album is number 5 out of 10. Based on our statistics, Madrigal No. 2 for Oboe, Clarinet and Basson's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madrigal No. 2 for Oboe, Clarinet and Basson by Bohuslav Martinů, Holzblaser-Trio des Saarlandischen Rundfunks, Jurgen Schmitt, Dietrich Fritsche, Ulrich Rinderle to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
3 Corali, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | G Major | 0 | 9B | 74 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Meditace na staročeský 'Svatý Václave', Op. 35a | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Minor | 1 | 8A | 95 BPM | ||
Der Bürger als Edelmann – suite, Op. 60: VI. Courante | Richard Strauss, Norwegian Chamber Orchestra, Terje Tonnesen | G Major | 0 | 9B | 82 BPM | ||
Loutky, H. 116: No. 2. Harlekyn (Harlequin) | Bohuslav Martinů, Giorgio Koukl | B♭ Major | 1 | 6B | 128 BPM |