"La Bayadere, Act I, Scene 2: 15. "Entrance Gamzatti; Rajah and Gamzatti"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. With this song being about 5 minutes long, at 5:00, "La Bayadere, Act I, Scene 2: 15. "Entrance Gamzatti; Rajah and Gamzatti"" by Evergreen Symphony Orchestra, Kevin Galiè is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 15 out of 53. La Bayadere, Act I, Scene 2: 15. "Entrance Gamzatti; Rajah and Gamzatti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 15. "Entrance Gamzatti; Rajah and Gamzatti" by Evergreen Symphony Orchestra, Kevin Galiè to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major: IV. Finale: Allegro | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | A♭ Minor | 3 | 1A | 135 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation III (Mäßiges Zeitmaß) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 17 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F♯ Minor | 1 | 11A | 116 BPM | ||
Raymonda, Act II: Entree des Arrazins | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Minor | 3 | 6A | 76 BPM | ||
Chants du Rhin: Le départ | Georges Bizet, Peter Vanhove | E Major | 1 | 12B | 64 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Don Quixote, Op. 35, TrV 184: Variation IV (Etwas breiter) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Don Quixote: Prologue: Sancho Panza, saved from his pursuers, is appointed Don Quixote's squire | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 128 BPM |