Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma made "Cello Concerto No.1 in A major, L. 20: IV. Allegro" available on February 20, 2023. The duration of Cello Concerto No.1 in A major, L. 20: IV. Allegro is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Cello Concerto No.1 in A major, L. 20: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma's "Leonardo Leo (1694-1744) Six Cello Concertos" album is number 21 out of 25. On top of that, Canada appears to be the country where this track was created. Cello Concerto No.1 in A major, L. 20: IV. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cello Concerto No.1 in A major, L. 20: IV. Allegro by Leonardo Ortensio Salvatore di Leo, Tafelmusik Baroque Orchestra, Anner Bylsma to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor "La Folia" | Francesco Geminiani, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 85 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: IV. Menuets I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: I. Prelude | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 0 | 2B | 80 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: I. Adagio | Jean-François Dandrieu, Le Consort, Justin Taylor | D♭ Minor | 5 | 12A | 95 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto No. 1 in E-Flat Major for Trumpet, Strings and B.C.: II. Larghetto | Johann Wilhelm Hertel, Andre Schoch, Stuttgart Chamber Orchestra | C Minor | 1 | 5A | 127 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Luka Faulisi, Martyna Pastuszka, {oh!} Orkiestra | C Major | 1 | 8B | 80 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
26 Sonatas: No. 6, Violin Sonata in E Minor, B.e1 / GT. 2e01: II. Allegro cantabile | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM |