Sergei Prokofiev, Martha Argerich, Orchestre Symphonique de Montréal, Charles Dutoit's 'Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai' came out on June 18, 2021. With this song being about 5 minutes long, at 4:34, "Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai" by Sergei Prokofiev, Martha Argerich, Orchestre Symphonique de Montréal, Charles Dutoit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Sergei Prokofiev, Martha Argerich's "Martha Argerich Plays Prokofiev" album is number 9 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Prokofiev: Piano Concerto No. 1 in D-Flat Major, Op. 10: II. Andante assai by Sergei Prokofiev, Martha Argerich, Orchestre Symphonique de Montréal, Charles Dutoit to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Riccardo Minasi, Ensemble Resonanz | G Minor | 3 | 6A | 119 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 5, Etude | Aram Khachaturian, Charlene Farrugia | A♭ Major | 1 | 4B | 85 BPM | ||
String Quartet No. 1 in B Minor, Op. 50: I. Allegro | Sergei Prokofiev, Aurora String Quartet | G Major | 1 | 9B | 169 BPM | ||
Charterhouse Suite: Prelude | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | F Major | 0 | 7B | 134 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM |