George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato' came out on January 1, 2000. With Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Concerto Grosso Op. 6, Nos. 1, 2, 8, 9, 10 and 12" album is number 27 out of 32. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro moderato by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 105 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": II. Larghetto staccato | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D Major | 1 | 10B | 94 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: I. Andante - Adagio | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
Bassoon Concerto in A Minor, RV 497: III. Allegro | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | A Minor | 2 | 8A | 129 BPM | ||
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: IV. Menuet II | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 2 | 8A | 149 BPM |