Johann Sebastian Bach, Tatiana Nikolayeva's 'Chorale Prelude, BWV 645 “Wachet auf, ruft uns die Stimme”' came out on January 1, 1982. With this song being about 5 minutes long, at 4:41, "Chorale Prelude, BWV 645 “Wachet auf, ruft uns die Stimme”" by Johann Sebastian Bach, Tatiana Nikolayeva is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Tatiana Nikolayeva plays Bach". In this album, this song's track order is #3. Chorale Prelude, BWV 645 “Wachet auf, ruft uns die Stimme” is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chorale Prelude, BWV 645 “Wachet auf, ruft uns die Stimme” by Johann Sebastian Bach, Tatiana Nikolayeva having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Prelude In B Minor Opus 104a No.2 | Felix Mendelssohn, Bertrand Chamayou | B Minor | 3 | 10A | 81 BPM | ||
Intermezzo In E Flat Major, Op. 117 No.1 | Johannes Brahms, Kun-Woo Paik | D♭ Major | 0 | 3B | 71 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Suite in E Minor, RCT 2: V. Le Rappel des oiseaux - Live | Jean-Philippe Rameau, Grigory Sokolov | C Major | 0 | 8B | 84 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
O Lamm Gottes unschuldig, BWV Deest (Arr. For Piano Four Hands by György Kurtág) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen | F Major | 0 | 7B | 91 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM |