Johann Sebastian Bach, Heinz Holliger, Camerata Bern, Erich Höbarth made "Concerto For Harpsichord, Oboe, Strings, And Continuo In D Minor, BWV 1059: 2. Adagio" available on January 1, 2011. The duration of Concerto For Harpsichord, Oboe, Strings, And Continuo In D Minor, BWV 1059: 2. Adagio is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Concerto For Harpsichord, Oboe, Strings, And Continuo In D Minor, BWV 1059: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Heinz Holliger, Camerata Bern, Erich Höbarth's "Johann Sebastian Bach: Concertos And Sinfonias For Oboe" album is number 14 out of 15. On top of that, Germany appears to be the country where this track was created. Concerto For Harpsichord, Oboe, Strings, And Continuo In D Minor, BWV 1059: 2. Adagio is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto For Harpsichord, Oboe, Strings, And Continuo In D Minor, BWV 1059: 2. Adagio by Johann Sebastian Bach, Heinz Holliger, Camerata Bern, Erich Höbarth to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Concerto for Four Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, Alexandre Tharaud, Les Violons du Roy, Bernard Labadie | A Minor | 2 | 8A | 113 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: III. Allegro assai | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Goldberg Variations, BWV 988: Var. 30, Quodlibet | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 165 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM |