Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett made "Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei" available on October 6, 2020. The duration of Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 462 in the song's album "The World of Vivaldi". In this album, this song's track order is #439. Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Gloria, R.588 - Ed. Hartwig Bögel: 7. Domine Deus, Agnus Dei by Antonio Vivaldi, Catherine Bott, New London Consort, Philip Pickett having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Concerto for 2 Violins in A Minor, RV 522: I. Allegro | Antonio Vivaldi, Rainer Kussmaul, Berliner Barock Solisten, Kristin von der Goltz, Bernhard Forck | A Minor | 3 | 8A | 124 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 3. Allegro | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Adagio | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 83 BPM | ||
Concerto for 2 Mandolins in G Major, RV 532: I. Allegro | Antonio Vivaldi, Enrico Parizzi, Ludovico Minasi, Riccardo-Masahide Minasi, Thomas Boysen, Thor-Harald Johnsen, Valerio Losito, Rolf Lislevand | D♭ Major | 3 | 3B | 116 BPM |