"Symphony, "Mathis der Maler": Versuchung des heiligen Antonius: Sehr langsam, frei im Zeitmass - Sehr lebhaft" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 4, 1995. Symphony, "Mathis der Maler": Versuchung des heiligen Antonius: Sehr langsam, frei im Zeitmass - Sehr lebhaft appears to be safe for all ages as it is not explicit. The track order of this song in Paul Hindemith, Franz-Paul Decker's "Hindemith: Mathis Der Maler / Symphonic Metamorphosis" album is number 3 out of 10. Symphony, "Mathis der Maler": Versuchung des heiligen Antonius: Sehr langsam, frei im Zeitmass - Sehr lebhaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony, "Mathis der Maler": Versuchung des heiligen Antonius: Sehr langsam, frei im Zeitmass - Sehr lebhaft by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | G Minor | 1 | 6A | 101 BPM | ||
Bartók / Compl. Serly: Viola Concerto, Sz. 120: III. Allegro Vivace | Béla Bartók, Tabea Zimmermann, David Shallon, Bavarian Radio Symphony Orchestra | D♭ Major | 0 | 3B | 64 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
In einer Nacht, Op. 15: No. 2, Sehr langsam - Musical Moments | Paul Hindemith, Elisabeth Brauß | D♭ Minor | 0 | 12A | 100 BPM | ||
Viola Sonata, Op. 11, No. 5: I. Lebhaft, aber nicht geeilt | Paul Hindemith, Nobuko Imai | D♭ Major | 1 | 3B | 148 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': III. Larghetto | Antonín Dvořák, Krzysztof Chorzelski | A♭ Major | 1 | 4B | 82 BPM |