"Fantaisies sur le nom de Sacher, for String Orchestra: VIII." by Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian was released on August 25, 2023. With Fantaisies sur le nom de Sacher, for String Orchestra: VIII. being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 11 in Chants de l'isolé by Philippe Hersant, Trio Karénine, Orchestre royal de chambre de Wallonie, Vahan Mardirossian. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Fantaisies sur le nom de Sacher, for String Orchestra: VIII. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantaisies sur le nom de Sacher, for String Orchestra: VIII. by Philippe Hersant, Orchestre royal de chambre de Wallonie, Vahan Mardirossian is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Bagatelles: No. 5. La belle rouqine (USA) | William Bolcom, Joel Fan | D Major | 0 | 10B | 65 BPM | ||
Serenade: IV. Agathon. Adagio | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
String Quartet No. 1, op. 20: 1. Allegro violento ed agitato | Alberto Ginastera, Latino Americano String Quartet | G Major | 4 | 9B | 167 BPM | ||
Hommage à J.S.B.: II. Andantino | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Sonata for Arpeggione and Keyboard in A Minor, D. 821: II. Adagio - Arr. for Harp and Cello by Anja Linder | Anja Linder, Julie Sévilla-Fraysse | C Minor | 0 | 5A | 93 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Mit Fried und Freud ich fahr dahin, Bux WV 76: Lamentation | Orchestra of the Swan, Nicky Spence, Francesca Moore-Bridger | A Minor | 1 | 8A | 145 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Chôro No. 2, W198 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM |