"Konzertstück in D Major for Cello & Orchestra, Op. 12: II. Adagio" by Ernst von Dohnányi, Andrei Ioniță, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas had its release date on February 4, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 20 in Dohnányi: Concertos by Ernst von Dohnányi, Sofja Gülbadamova, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Konzertstück in D Major for Cello & Orchestra, Op. 12: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Konzertstück in D Major for Cello & Orchestra, Op. 12: II. Adagio by Ernst von Dohnányi, Andrei Ioniță, Deutsche Staatsphilharmonie Rheinland-Pfalz, Modestas Pitrenas is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Relaxing Sounds | Sergei Rachmaninoff, Wolfram Schmitt-Leonardy, Janacek Philharmonic Orchestra, Theodore Kuchar | B Major | 2 | 1B | 92 BPM | ||
Sonata in C major for Cello and Piano, Op. 119: II. Moderato — Andante dolce — Moderato primo | Sergei Prokofiev, Christian Poltéra, Juho Pohjonen | E Major | 0 | 12B | 141 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM | ||
British Folk-Music Settings: No. 4, Shepherds Hey - Welte-Mignon 3790 | Percy Grainger, Peter Phillips | A Major | 3 | 11B | 124 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 10. Un poco allegro e alla burla | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Fantasia on Greensleeves (Version for Piano) | Ralph Vaughan Williams, Carmen Stefanescu | C Minor | 0 | 5A | 69 BPM | ||
Piano Trio in G Major, CD 5: IV. Finale. Appassionato | Claude Debussy, Florestan Trio | A♭ Major | 1 | 4B | 118 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM |