"Carmen Suite after Bizet's Opera: 1. Introduction" by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev was released on January 1, 2001. With Carmen Suite after Bizet's Opera: 1. Introduction being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Shchedrin: Carmen Suite; Naughty Limericks; The Chimes". In this album, this song's track order is #1. In terms of popularity, Carmen Suite after Bizet's Opera: 1. Introduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite after Bizet's Opera: 1. Introduction by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Carmen Suite after Bizet's Opera: 2. Dance | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | B♭ Major | 2 | 6B | 116 BPM | ||
Carmen Ballet Suite (after Bizet): IV. Changing of the Guard | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | G Major | 0 | 9B | 114 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): VI. Danse bohème | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 1 | 12B | 136 BPM | ||
Joyeuse marche: Marche joyeuse | Emmanuel Chabrier, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 3 | 8B | 121 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
Violin Concerto No. 3: III. Vivo | Grazyna Bacewicz, Łukasz Borowicz, Polish Radio Symphony Orchestra, Krakow, Joanna Kurkowicz | F♯ Major | 0 | 2B | 71 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | ||
The Sealed Angel: VIII. Lento assai | Rodion Shchedrin, Александр Голышев, Владимир Минин, Московский камерный хор, Государственный академический русский хор СССР | D Minor | 0 | 7A | 134 BPM |