Johann Sebastian Bach, Yo-Yo Ma's 'Cello Suite No. 1 in G Major, BWV 1007: I. Prélude' came out on 1983. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach: Unaccompanied Cello Suites (Remastered) by Johann Sebastian Bach, Yo-Yo Ma. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude is fairly popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prélude by Johann Sebastian Bach, Yo-Yo Ma is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 37, Willst du dein Herz mir schenken (Aria di Giovannini), BWV 518 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto, Shimon Yoshida | E♭ Minor | 2 | 2A | 74 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Der Herr ist König, TWV 8:6: II. No. 5, Chorus: Die Töchter Zion sind fröhlich | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 4. (Evangelist und Chorus) "Da versammleten sich die Hohenpriester", usw. | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge | D♭ Minor | 1 | 12A | 96 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Goldberg Variations, BWV 988: Var. 25 | Johann Sebastian Bach, Glenn Gould | C Minor | 0 | 5A | 142 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM |