"Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie"" by Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra was released on March 1, 2021. The duration of Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in French Music for the Stage by Neeme Järvi, Estonian National Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Roi s'amuse, Scène du bal: II. Pavane, "Belle qui tiens ma vie" by Léo Delibes, Neeme Järvi, Estonian National Symphony Orchestra is Lento (slowly), since this song has a tempo of 60 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: D'où viens-tu? Que veux-tu? | Léo Delibes, Dame Joan Sutherland, Alain Vanzo, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 88 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM |