Jean-Baptiste Senallié, Ensemble Baroques-Graffiti, Jaroslaw Adamus, Frédéric Audibert, Jean-Paul Serra's 'Sonata Secunda: II. Allemanda' came out on January 1, 2020. The duration of Sonata Secunda: II. Allemanda is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sonata Secunda: II. Allemanda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Troisième livre de sonates a violon seul avec la basse continue (World Premiere Recording)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Sonata Secunda: II. Allemanda is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata Secunda: II. Allemanda by Jean-Baptiste Senallié, Ensemble Baroques-Graffiti, Jaroslaw Adamus, Frédéric Audibert, Jean-Paul Serra having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core" | Biagio Marini, London Baroque | F♯ Minor | 2 | 11A | 61 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Symphony No. 5 in C Major: I. Andante - | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Major | 1 | 1B | 123 BPM | ||
Sonata In E Minor For Violin And Continuo: Scherzando | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | E Minor | 2 | 9A | 143 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: II. Allemanda. Andante | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | B Minor | 3 | 10A | 145 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Sonata à 3 in D Minor, B. d2: III. Presto | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Suite No. 2 in G Minor, Z. 661: II. Almand | Henry Purcell, Richard Egarr | F Minor | 2 | 4A | 81 BPM | ||
Trio Sonata in D minor for 2 Violins and Continuo, Op.1/8 , RV 6 4: 4th movement: Giga | Antonio Vivaldi, Bell'Arte Antiqua | D♭ Minor | 2 | 12A | 124 BPM |