"Requiem in D Minor, Op. 48: Introït et Kyrie" by Gabriel Fauré, Tenebrae, LSO Chamber Ensemble, Nigel Short was released on November 5, 2012. Since Requiem in D Minor, Op. 48: Introït et Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 16 in Fauré: Requiem by Nigel Short, Tenebrae, London Symphony Orchestra Chamber Ensemble, William Gaunt, Gordan Nikolitch, Grace Davidson. Requiem in D Minor, Op. 48: Introït et Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem in D Minor, Op. 48: Introït et Kyrie by Gabriel Fauré, Tenebrae, LSO Chamber Ensemble, Nigel Short is Andante (at a walking pace), since this song has a tempo of 77 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 3. Sanctus | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 143 BPM | ||
Now ye heavenly powers | Count Alexander Sheremetiev, Tenebrae | E Major | 0 | 12B | 77 BPM | ||
Requiem, Op. 9: IX. In Paradisum (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | B Major | 0 | 1B | 130 BPM | ||
Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | ||
Gloria in D Major, RV589: 1. Gloria in excelsis | Antonio Vivaldi, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Simon Preston | D♭ Major | 3 | 3B | 126 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140: Chorale: Zion hort die Wachter singen (Chorus) | Johann Sebastian Bach, Henriette Schellenberg, David Gordon, Daniel Lichti, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld | F Minor | 1 | 4A | 75 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 2 | 10B | 67 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM |